Examples of Hyper Pop
What is hyper pop? It’s the music that blurs genre lines and is characterized by its chameleon-like vocals, distorted instruments, and guitars. It’s the kind of music that satirizes our current culture while simultaneously expressing our most virulent side. This article will examine the genre and describe some of the best examples of hyper pop. You might be surprised to find out that you’re familiar with this genre without even knowing it.
Music that blurs genres
The term “hyper pop” is used to describe the genre that blurs the line between different music genres. It has many meanings, but it usually refers to a style of music that is very different from the mainstream. Charli XCX is an example of hyper pop, a genre that was created after a young English musician named Sophie Dawson died in a freak accident. She wanted to climb higher to see the full moon but fell instead. Her music was described as hyper pop because she took her genre and turned it on its head.
Some people associate hyper pop with Top 40 tricks, swirling beats, and overblown novelty jingles. Others say hyper pop is the most experimental form of pop, combining elements from genres as diverse as trance, hip hop, nu-metal, grindcore, and K-pop. But what exactly does hyper pop look like? This kind of music is more like art than pop. Several artists can be considered hyper pop, but all of them are artists worth listening to.
It has been a while since the term ‘hyper pop’ first surfaced on the internet, but it’s certainly a trend that seems to be sticking around. The term “hyper pop” has its own Wikipedia page, and several playlists on Spotify are dedicated to the genre. The latter list boasts over 130,000 followers. Though the term “hyper pop” was first used in a Reddit post in 2016, it was only within the past couple of years that the genre has become its distinct style of music.
Songs with chameleon-like vocals
The genre of hyper pop lends itself to abrasive industrial noise, but a Toronto singer has found a way to make her vocals stand out amid the flurry of electronic chaos. “Skins,” her debut single, is one of the most anticipated songs of 2020, and her airy vocals are a great match for the song’s raucous, bass-heavy beat.
The rise of this genre is fascinating, especially when we consider its history. In the early 2010s, the UK saw the emergence of underground dance scenes and the development of the PC Music label, a heavily LGBTQ+ radio show. Both genres have influenced artists to explore alternative sounds that incorporate the genre’s signature blend of chameleon-like vocals. While many of the genre’s songs are influenced by the sounds of Eurohouse and hip-hop, hyperpop is a hybrid of these genres.
The genre is also influenced by artists who express queerness and gender fluidity in their songs. Artists such as Alice Gas have embraced the frantic pace of the genre to create a euphoric pop experience. Other artists such as Sza use similar elements, such as the distorted instrumentals that characterized the mid-2000s and pioneered a resurgence of underground Soundcloud hip-hop. Those listening to her music will notice a distinct matriarchal aura over many of the current hyperpop artists.
Songs with distorted instruments
While it may seem like a mild activity, Hyper Pop is anything but. It is the off-kilter offspring of pop, which is best defined by its ridiculousness and nonsensical parts. The genre has its idiosyncrasies, but there are common characteristics of Hyper Pop that distinguish it from other styles of music. A typical example is “Toothless” by 100 gets, a track that is similar to a Breakbot 2011 song.
The instrumentation is usually heavily distorted, with many artists using 808s and basslines that are pitched high and crinkled down. For basslines, you can experiment with layering a buzzy saw wave on top of a deep sine wave. Low-pass filters are also common. For more complex arrangements, try incorporating a distorted synth sound. This type of sound is particularly useful in synthpop.
The sound of Hyperpop is most closely associated with producer Hallow, whose tracks have appeared on several Juno releases. Hallow has collaborated with Juno on several tracks, including “never got to kiss you,” which sounds like it belongs in a 2000s teen rom-com. Similarly, “hero” features pitch-shifting 808s and distorted kicks. These two artists have a lot in common, and their music is highly influenced by each other.
Other characteristics of Hyperpop include a transgender community. Several key players in this genre are transgender. It has been suggested that Queerness and Hyperpop are inseparable, and artists have taken advantage of vocal modulation to explore gender fluidity. Some musicians use software such as Waves Tune or Vocal Bender to achieve high-pitched vocals. It is possible to create a wide range of effects, but you need to make sure that the effect matches the genre’s sound.
Songs with distorted guitars
When it comes to alternative music, distorted guitars and pitch-fried vocals are synonymous with Hyperpop. This subgenre of pop filters cultural artifacts through a contemporary lens. There are many examples of Hyperpop. Here are a few that I enjoyed. Among them:
The debut single from emerging artist brake, “rosier,” is a perfect example. The song starts with a gentle guitar riff before transitioning to hyperpop. The chorus features maximalist vocals over a hyperpop-influenced bass drop. Another rising talent, glaive, mixes elements of hyperpop with other genres. Her single “Astrid” has already been listened to over 14 million times on Spotify.
Polly Jean Harvey is another great example of a hyperpop song with distorted guitars. While the band was part of the grunge and ’90s creative freedom movement, they incorporated fuzz guitar lines into their songs. “My Beautiful Leah” and “Joy” are examples of such songs. Moreover, “Say It With Distorted Guitars” by the British rock band U2 has the most famous example.
While the aforementioned bands are the leading exponents of hyperpop, countless others have contributed to this genre. The progenitors of this genre include Sophie, A.G. Cook, and many more. In terms of composition, Hyperpop is an impressionistic form of pop music, with distorted sounds being the mainstay. This style is typically accompanied by booming 808s, glitchy effects, and crazy arpeggios. The juxtaposition of distorted guitars with melodic elements emphasizes the contrast between the beat and the melody.
Songs with distorted vocals
Distorted vocals have become a popular part of the Hyper pop sound. Many key players in the genre are trans, and queerness and Hyperpop have become inseparable. Various tools and programs are available to achieve high-pitched vocal effects. Here are some examples of ways to make Hyper pop vocals sound more like this. Using a Waves Tune or Vocal Bender, you can easily achieve this type of effect.
The genre is often characterized by high-pitched distorted vocals and techno music. The sound of hyperpop is distinctly different than other genres. It has a distinct sound, a mixture of distorted vocals, bass drops, and auto-tuned vocals. Many songs are fast-paced, with aggressively upbeat melodies. Its sound is not for the faint of heart. However, fans of the genre can find many songs in the genre.
For hyper pop songs with distorted vocals, the underlying audio sounds are typically highly distorted. The sound of the 808 is commonly distorted, and this enables it to stand out in the crowded music scene. Oftentimes, the bassline is distorted to achieve this sonic effect. Some users use a buzzy saw wave layered on a deep sine wave to achieve this effect. Another method of creating distorted vocals is using a low-pass filter.
Songs with distorted drums
If you’re searching for a new genre, hyper pop may be the sound you’re looking for. Disturbed drums and auto-tune are a hallmark of this genre, and many artists take these techniques to their extremes. Some artists’ productions are more symphonic and edgy than others. However, these artists are often vocally similar. Using auto-tune, they can achieve a sound that’s both fresh and unaffected.
One of the most notable examples of this sound can be found in the production of it, a Japanese artist whose music has received critical acclaim. it has released numerous emo-trap singles since early this year, and he’s managed to incorporate his unique vocal delivery into a wide variety of experimental electronic instrumentals. His December single “Stuck Up” is a good example of this. The song has an extremely upbeat, catchy chorus and distorted drums that makes it feel like a ’90s-era dance track.
Another example is the web. Although most of his music has a similar vibe to that of rap, he’s known for using aesthetic tropes to emphasize the power of friendship. The songs on his “The Art of War” EP are a perfect example of this approach. Their darker-sounding material is often very similar to distorted 808s. However, their earliest work is akin to aggressive mid-2010s Soundcloud rap.
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